Dear Governor Ducey, I’m at the Tucson Festival of Books at a workshop teaching people how to write letters to Governor Ducey. Not really. Actually, we are in a session called How We Speak… More
I feel I’ve been generally successful avoiding puns but I will allow this one to wish Egg an eggcellent launch day tomorrow.
Words around the Egg include this conversation with Ander Monson and me at Essay Daily and Aaron Sanders’ awesome website
“This is the eggiest book ever, and the egg is everything. Egg is forthright, joyful, mournful and charming, as personal and expansive as the good great egg.” – Lucy Corin, Program Director of Creative Writing and Professor of English, University of California, Davis, USA, and author of One Hundred Apocalypses and Other Apocalypses (2013) – See more at: http://www.bloomsbury.com/us/egg-9781501322877/#sthash.lUS77uL2.dpuf
Ever since the term “creative nonfiction” first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Quench Your Thirst with Salt won the 2013 Creative Nonfiction Prize and was published by Zone Three Press.
Literary Nonfiction. Memoir. “Part affecting memoir, part lyric meditation on water, part cultural critique, but finally about all that is unquenchable in the human experience, Nicole Walker has created a book that is truly sui generis. By turns wry, elegiac, and always elegant in its precision and force, Walker investigates all that is contradictory and curious in the micro climate of her immediate family and the macro climate of Utah to create not a dry treatise, not a windless flight of experimental prose, but a natural history of thirst in all its manifestations, at once compulsively readable and intensely personal.”—Robin Hemley